Jocelyn Curry

Art & Joie de Vivre

Part One–A Fine Collection of Maps: Workshop Review of The Artful Map 2014

November 23, 2025

Did I need a deep plunge into a new blog site, right when such a time-consuming challenge really didn’t fit into my crowded calendar? The answer, no surprise, is “no” but at least I was able to navigate the mind-befuddling process of transferring the data from my old platform to this new, AI-enhanced version of good ol’ WordPress. My previous experience of working on good ol’ WordPress wasn’t stellar, so I’m hoping to improve my relationship with it asap. So far I have been able to upload my seasonally appropriate squash painting! But now, HOW do I get rid of “Hello World!” which was placed there by Good Ol. I’m not sure about this, but I think Good Ol’s default tips will stay on this, my First Post until I figure out how to discretely remove them without being told “This is not a good idea.” At least I got my squash up on this new site for your viewing pleasure! Happy Thanksgiving :-).

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Craig Campbell designed a map pertaining to the North Cascades experiences and philosophies of notable poets. 

I sense that humans have an urge to mapand that this mapping instinct, like our opposable thumbs, is part of what makes us human.  Katharine Harmon, author of books on maps.

Thirteen map designers appeared at the North Cascades Institute Environmental Learning Center on Friday morning equipped with the urge to map, and some art supplies. They left Sunday afternoon with illustrated maps that were fascinating and varied. These maps represent extensive work done during 15 hours of class time (plus, for many, some nocturnal time or pre-class early morning time). In the photos below I will show some work-ups and partially done maps as well as the completed, or nearly completed, final maps. Not all maps were fully documented by my camera; I've selected several of them to feature here.

Designing and making a map is a complex project. This group remained impressively focused with novice artists working alongside the more experienced. All the careful design and execution work paid off, as you will see in the photos. Perhaps, like Katharine Harmon (above) says, it's in our deepest nature to want to draw maps. It's just that so few of us ever actually make them. This workshop provided that opportunity. 

To view larger images, please click on them.

To read a review of this course (and more information about programs at the Learning Center) by participant Jessi Loerch of the Everett Herald, please click here.

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Beginning structure of a seasonal garden map by Joan Poor.
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Inkwork done with a vintage dip pen nib, India ink, and colored pencil.


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Richelle Potter drafted a precise map of "Places of Happiness" from throughout her life. Subtle coloring in watercolor pencil is not yet complete in the photo to the right.

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Carolyn Hopper's bison-themed map was inspired by her visits to Yellowstone's Lamar River Valley. Her clean design allows the eye to move around to discover all the fine detail.

 

 

 …we continue to make maps. Why? Because making maps is a way of understanding. We make maps to sort out the physical world, to see its size, shape, color and texture. We make personal maps to share our experiences and travels, relationships and ideas. Jill Berry, author of Map Art Lab.

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For her brilliantly colored map, Cole Adams commemorated her summer stays with her son in a fire lookout. She used a vintage dip pen with India ink and watercolor.
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One response to “Part One–A Fine Collection of Maps: Workshop Review of The Artful Map 2014”

  1. Molly Hashimoto Avatar

    These are wonderful, Jocelyn! I appreciated being able to peruse these maps with more leisure–the very unique quality of each is a delight!

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