Jocelyn Curry

Art & Joie de Vivre

1975: My First Calligraphy Commission

November 23, 2025

Did I need a deep plunge into a new blog site, right when such a time-consuming challenge really didn’t fit into my crowded calendar? The answer, no surprise, is “no” but at least I was able to navigate the mind-befuddling process of transferring the data from my old platform to this new, AI-enhanced version of good ol’ WordPress. My previous experience of working on good ol’ WordPress wasn’t stellar, so I’m hoping to improve my relationship with it asap. So far I have been able to upload my seasonally appropriate squash painting! But now, HOW do I get rid of “Hello World!” which was placed there by Good Ol. I’m not sure about this, but I think Good Ol’s default tips will stay on this, my First Post until I figure out how to discretely remove them without being told “This is not a good idea.” At least I got my squash up on this new site for your viewing pleasure! Happy Thanksgiving :-).

My wedding was in 1975. What does this have to do with my first calligraphy commission? As a then-employee of the University Bookstore in Seattle, I fell into possession of an unneeded Speedball lettering booklet in Spanish. I copied the Italic style of calligraphy in that booklet and soon deemed myself qualified to do the calligraphy on my wedding invitation (a little knowledge is a dangerous thing). So, armed with my newfound expertise, I accepted a calligraphy and illustration job from a friend who had admired the invitation.

Last week that artwork was returned to me because the friend is gravely ill and wanted me to have the piece. It had been a gift for his mother in 1975. When she died, he collected it from her home and has kept it with other keepsakes. I photographed it so that I could share it here but didn't feel I needed to keep it. It has a new home now, and that is with the older brother of our ill friend. The poem and the goose were meaningful to the sons' mother so it is ideal that it is staying in the family.

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Canada goose with Bryant poem: ink, graphite and colored pencil on illustration board 12"x16"
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